Breakdowns | Dp. Aron Beijl
‘Eli’
Dp. Aron Beijl
Camera Setup:
🔎 SONY CineAlta Primes MkII
📹 ARRI Alexa 35
Recording Format: Open Gate 3:2 25fps
Film printout: 4:3
Filters: None
Grip: Dana Dolly, Tripod, Sakk Camera Saddle
Lighting: Mainly natural light, and a very small package with some Amaran 200Xs, 1 Aputure 600X a spotligh and some black and white fabrics.
Can you walk us through the full film print process in detail?
I think the digital-film-digital process has been on people’s radar since it was done for the first Dune film, but it always sounded like something that was only accessible for major motion pictures. As it turns out, the technology is actually quite readily available, and film labs are continuously developing the processes. We worked with Cinelab in Boston, but they offer the service from other locations as well.
There are many different options to choose from. Cinelab currently offers a...
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Do you usually handle color grading before or after the scan, and why?
This is probably my biggest takeaway from the project. I just sent in...
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