“Driven by the director’s dream to bring 35mm back to Iceland, DP Robin Asselmeyer takes us behind the scenes of a film project bursting with passion.”

“Psylo’s latest music video blends vintage spy-film aesthetics with a modern split-screen style. 
DP Derek Matar’s lightweight, versatile setup allowed fast coverage and dynamic zoom work, proving essential when production faced last-minute challenges.”

‘Lens Addiction chose to interview Augustin Tarrou, DoP of Merci la Vie Pour les Douleurs, for his bold decision to use a broadcast lens on a cinema camera. His unconventional setup with the FUJINON AX77 and CyanView control brought an extraordinary zoom range into a cinematic context. The choice reflects a desire to experiment and push the boundaries of today’s zoom-driven aesthetic.’

‘The music video Hot Like You by Sam Austins stands out for its dreamy, analog look, achieved through 35mm Kodak Ektachrome and vintage Kowa Cine Prominar lenses. The film embraces rich flares, soft fall-off, and a nostalgic 4-perf 1.33 aspect ratio. The result is a visually striking throwback aesthetic that elevates a simple concept with warmth and texture.’

‘The SS24 campaign Field Exhibition by 66North & Ka Yo embraces a raw yet refined visual identity. Shot entirely on a Canon Scoopic with 16mm Kodak film, the project combines tight, intentional framing with a tactile, grain-rich aesthetic that feels both intimate and elevated.”

“For Wos’ surreal and technically ambitious video Morfeo, we sat down with DP Franco D’Alessandro to break down a few standout shots. From bullet-time effects to reverse-motion illusions, each moment was carefully crafted with smart lens choices and precise planning. Franco walks us through how it all came together — in camera and in post.”

This is your Team Member description. Use this space to write a brief description of this person’s role and responsibilities, or add a short bio.

For Maxxx Energy, DOP Guille Vázquez collaborated on the iconic “Beneath the Glass Basketball” shot, using a Sigma 14mm on the ARRI Alexa Mini LF. The setup focused on capturing a dynamic low-angle perspective and the Sigma High Speed lens provided the wide, immersive look needed to bring energy and impact to the scene.