Dir. Mert Berdilek - DP. Alper Kasap
Camera Setup:
📹 ARRI Alexa Mini LF - SONY FX3
🔎 MAMIYA Sekor C 645 Lenses coupled with the Kipon 0.7x LPL Focal Reducer
Grip:
- Haze machine
- Sachtler Tripod
- Wally dolly
Lighting:
1x Nanlite Evoke 2400 (that was a demo test unit)
2x Nanlite Forza 500's
2x Nanlite Pavo tubes
Crew size:
On Set: 6 Total (Director, DP, AD, 1st AC, 2nd AC, Sound)
Post Production: 3 Crew (Colorist, Composer, Sound Designer)
Budget range:
$10,000-15,000 AUD
What characteristics do these lenses bring to the image, and did they influence the way you framed or lit scenes?
DP. Alper Kasap: Since using this combination on the film, I’ve fallen in love with Mamiya 645 glass, there is a texture that it brings to a film that I feel is very singular. Even the way some of the earlier versions, before they were multicoated, flare is so...
What characteristics do these lenses bring to the image, and did they influence the way you framed or lit scenes?
DP. Alper Kasap: Since using this combination on the film, I’ve fallen in love with Mamiya 645 glass, there is a texture that it brings to a film that I feel is very singular. Even the way some of the earlier versions, before they were multicoated, flare is so...
