top of page
Breakdowns | DP.  Junha Koo
CopertinaInterview1-ezgif.com-video-to-gif-converter.gif
‘'문 너머, 닫힘과 열림 그 사이' (On the other side)’

Dp.  Junha Koo

Camera Setup:

🔎 ATLAS Orion Anamorphic - SONY FE 24-70mm f/2.8 - LAOWA Ranger 75-180mm T2.9
📹 RED Komodo X

  • Recording format: R3D RAW 17:9

  • Frame rate (fps): Most 23.976 - Few shots 47.952

  • Lighting: I filmed it while making the most of the basic light that was set in the environment.

  • Grip: I used an L-plate to make the camera vertical.

 

You shot the project in vertical anamorphic (9:17, desqueezed to 18:17). Can you tell us more about this choice?
 

In our initial meeting with the director, he wanted a 1:1 square format with a special bokeh and look. I felt it was a shame to crop the sensor and lose part of it, and achieving that unique look seemed very difficult. After much consideration, we decided on a vertical anamorphic approach, which solved all of these concerns.​

​

Let’s talk about the ATLAS Anamorphics. What drew you to them for this project?
 

Since we needed to double the horizontal aspect ratio, I first looked into 2x anamorphic lenses. Considering there...

sfumatura_edited_edited.png
Screenshot 2025-09-10 at 19.59.20.png

5.00€ montly

Unsubscribe at any time!

​

Included in your membership:

  • PROJECT Breakdowns: Exclusive interviews and in-depth breakdowns
    of some of Lens Addiction’s most captivating projects.

  • JOB Board: A curated space where filmmakers connect with real job opportunities across the industry, with priority access for our community.

  •  DEALS & PERKS: Monthly discounts and offers from brands such as Lomography, Dispolens, Ironglass and more.

​​

This is our early-bird price, and more features are coming soon.

The sooner you join, the better!

  • Grey Instagram Icon
bottom of page