Breakdowns | DP. Julian Panetta and Dir. Chelsea Ingram
‘Wild Dog’
DP. Julian Panetta and Dir. Chelsea Ingram
Camera Setup:
🔎 PANAVISION Panaspeed Special Optics
📹 ARRI Alexa Mini LF
-
Filters: None
-
Recording format and frame rate: 2:3 Open gate, Arri RAWHDE, 24 FPS
-
Crew: 3 lighting, 1 grip
-
Shooting days: 3
Why did you choose the Panavision Panaspeed lenses for this project? Can you describe their qualities?
The Panaspeeds were always a strong contender for this film because of their fast aperture, large consistency of character across a variety of focal lengths, and modern mechanics. Being able to tune them to something more akin to a vintage lens meant that I could have strong character without sacrificing the modern mechanics and ease of use that I like. ​
The modifications included reducing contrast and increasing veiling glare, which lowers the...
​
If you had needed an alternative, which lenses do you think could have worked and why?
If I was looking at alternatives potentially the...
5.00€ montly
Unsubscribe at any time
​
Included in your membership:
-
PROJECT Breakdowns: Exclusive interviews and in-depth breakdowns
of some of Lens Addiction’s most captivating projects. -
JOB Board: A curated space where filmmakers connect with real job opportunities across the industry, with priority access for our community.
-
DEALS & PERKS: Monthly discounts and offers from brands such as Lomography, Dispolens, Ironglass and more.
​​
This is our early-bird price, and more features are coming soon.
The sooner you join, the better!
