Camera Setup:
🔎 ARRI/ZEISS Master Prime
📹 ARRI Arriflex 435 Advanced / ARRI Arriflex 235
Frame Rate (fps): 24fps (150fps one shot)
Color Temperature: 3200K & 5600K
Filters: Used (ND and/or others): ND 1.2 and a Pola on the exterior
T-stop: (if you recall): T2-2.8 split and T4
I’d love to break down the transition from the sofa to the underwater shot, which was filmed with the ARRI/ZEISS Master Prime 18mm.
Key Grip Luke Poole basically made us a coustom rig out of a cheese plate and some short ends of speed rail on a swival type mount so we could push the dolly and crank the camera dutch quickly. Damien and I just timed out the fall according to the performance Damien wanted. We would push in on the dolly and
​
What’s your opinion on the ARRI Master Primes?
Master Primes have a sharpness to them and render colors and light in a way similar, in my opinion, to how our eyes see the world. It’s still has a bit of character with that touch of...
